Tag-arkiv: material movement

Musik i tekstiler

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Musikalsk undersøgelse i grænsefeltet mellem kostume og scenografiske tekstile kompositioner

Sammen med kvartetten NJYD var jeg på et meget inspirerende fire dages residency (april 2023) på Godsbanens Åben Scene i Århus, hvor vi undersøgte krydsfeltet mellem musik og tekstiler. På residensen undersøgelse vi af bl.a. hvilken lyd og musik der findes i samspillet mellem musikerne (med og uden deres instrumenter) og de tekstile (evigt foranderlige) rumlige (scenografiske) kompositioner.

Musical investigations in the boundary between costume and scenographic textile compositions

Together with the quartet NJYD, I was on an inspiring four-day residency (April 2023) at Godsbanen’s Open Stage in Aarhus, where we investigated the intersection between music and textiles. At the residence, we explored for example, the sounds and music(ality) that exist or emerge in the interactions between the musicians (with and without their instruments) and the textile (ever-changing) spatial (scenographic) compositions.

Kvartetten NJYD skaber kunstneriske koncertformater i et krydsfelt mellem komponeret (klassisk) musik, performance, improvisation og multimedie. Den utraditionelle instrumentation med fløjte, saxofon, guitar og slagtøj danner grundlaget for eksperimenter, der fører til helt nye lydudtryk.

NJYD består af MARIE SØNDERSKOV fløjte, ANJA NEDREMO saxofon MIKKEL EGELUND NIELSEN guitar og JONAS WEITLING slagtøj

AweAre – a movement quintet

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AweAre – a movement quintet (June 27, 2020) was created and performed Ny Carlsbergfondet’s performance festival UP CLOSE, Det Classenske Bibliotek, Copenhagen, DK.

The performance was co-create with the dancers Alex Berg, Camille Marchadour, Daniel Jeremiah Persson and Josefine Ibsen. Performance soundscape composed by Victor Dahl

Festival context: In response to the pandemic lockdown in Denmark in 2020, the Carlsberg Foundation developed the performance festival UP CLOSE (curated by art historian Natalia Gutman), which over four days (two weekends) presented twelve different performances to an audience. Invited to each create a fifteen-minute performance (performed three times on a specific date) were, among others, the artistduo Hesselholdt & Mejlvang, composer Louise Alenius, choreographer Tim Matiakis & solodancer Astrid Elbo, performance artist Lilibeth Cuenca Rasmussen and me as the only costume designer.